There are few American musical careers that have demonstrated more diversity or creativity in the last quarter century than that of Richard Allen Wagner. More often than not, he has been the creative spark that has ignited the careers of other more visible pop/rock artists. Writing hit songs, producing artists in the studio or demonstrating his virtuosity as master guitarist, he commands the attention of the entire music industry.

Wagner's musical gifts seem boundless. The public first took notice of his talent in 1964, when he formed the popular band, The Bossmen, whose songs like "Baby Boy" were radio favorites in Michigan. Soon Wagner was writing and producing for many other Michigan bands and the Wagner name was prominent on local record labels. In the late sixties, as Wagner's work became more complex and featured a harder edge, he formed The FROST, recording three albums and drawing record crowds to hear songs like "Mystery Man" and "Rock N' Roll Music."

With hopes of reaching larger audiences, he moved to New York to form Ursa Major, a majestic rock trio whose one album on RCA was a major influence on the 1970's metal rock scene. Wagner's talent captured the attention of Lou Reed and he was asked to play lead guitar on "Rock N' Roll Animal." This recording was acclaimed by Rolling Stone Magazine, describing it as a "live set featuring the remarkably skillful band led by Steve Hunter and Dick Wagner."

The melodic and soaring guitar work of Wagner garnered him work with the best in music during the 1970s and 1980s as he performed or wrote for such diverse range of artists as Aerosmith, Hall & Oates, Air Supply, Kiss, Burton Cummings, Roberta Flack and Steve Perry. None of these collaborations were to equal Wagner's lengthy alliance with rocker Alice Cooper. As lead guitarist and music director, Richard Wagner helped Cooper become a mainstream artist by co-writing Cooper's biggest chart hits, "Only Women Bleed," "I Never Cry," "You and Me," and "How You Gonna See Me Now."

With Wagner's studio walls lined with gold and platinum awards, he approached the eighties by writing music inspired by the observant eye of a world traveled artist. His music became more personal and spiritual. From this came the remarkable song "Remember The Child," that painfully illustrates the ills of child abuse. Originally commissioned for a Child Abuse Coalition in Texas, noted author/lecturer John Bradshaw discovered the song and chose it as his theme for the Emmy-nominated PBS series "Homecoming." It has since become the anthem for tens of thousands who have been scarred by child abuse.