Well put gentlemen.GNDM wrote:Baz wrote:No one can deny Alice`s role in the ACG, he was the figurehead, the face the press saw, but the ACG was much more than that.
It was five guys who were something very, very special. Their albums were a thing of beauty, the band had a mystique about them, they were never the greatest musicians , but they wrote some of the greatest rock songs ever put to vinyl.
ACG, were five guys, not a singer plus four, though the `plus` four never got the credit they deserved. They chose to let Alice face the press, to do the interviews, to be the face of the ACG, so I suppose it was no good complaining about the fact later.
To be a fan at that time was a magical time, we didn`t have internet back then, and we had to glean all the snippets of news we could from the music press of the day, but when they contained news of ACG, oh what joy.
Mssrs, Cooper, Buxton, Dunaway, Bruce and Smith were the greatest band ever, and IMO, nothing has ever come close since.
RIP. GB.
No use trying to get certain solo-Alice people to ever understand the point of view you just expressed Baz. It really is one of those "you had to be there" things. We just have to learn to accept that Glen, Neal, Dennis, and Michael will be no more than side-men to those born after after the time that Alice Cooper was a band. In fact, it took me awhile to remember to not mention the word reunion in certain places.
We can help educate those that deny the importance of the ACG though.
Love It To Death, Killer, School's Out and Billion Dollar Babies is a flawless period of albums and shows as far as I'm concerned.
Bob Ezrin I feel was vital and Steve Hunter, Dick Wagner, Mick Mashbir and Reggie Vincent important session players during that period.
The most important people though were Alice, Michael, Dennis, Neal and Glen.
I also think Muscle Of Love was a great album even though Bob Ezrin wasn't involved I thought Jack Richardson and Jack Douglas did a great co production job and it is in my Top 7 Alice albums of all time.